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Subject description

2124011 - Kinesko pismo

Course specification
Course title
Acronym 2124011
Study programme
Module
Type of study
Lecturer (for classes)
Lecturer/Associate (for practice)
    Lecturer/Associate (for OTC)
      ESPB 3.0 Status
      Condition Unconditional Oblik uslovljenosti
      The goal Students will become familiar with the origins and the "six categories" (*liu shu*) of the Chinese script. This entails mastering characters based on: pictorial representation (*xiang xing*), the indication of concepts or events (*zhi shi*), semantic combinations (*hui yi*), phonetic representation (*biao yin*), the transfer of meaning and modification of form (*zhuan zhu*), and the borrowing of phonetic values ​​(*jia jie*). Each of these categories introduces students to a specific aspect of the development of the Chinese script.
      The outcome The student acquired knowledge of the basics of the Chinese script.
      Contents
      Contents of lectures Through a series of lectures, this course reconstructs the complex development of the Chinese script, which evolved in three stages: the creation of form (*xing*), the determination of meaning (*yi*), and the assignment of a specific phonetic value (*shengyin*). The course examines characters from the first stage—"early pictographs"—which possess a distinctly pictorial structure; characters from the second stage, formed through "associative compounding"; and characters from the third stage, which are largely characterized by the presence of "phonetic units." While the earliest pictographs are linked to the direct perception of the external world, later stages involve a combination of pictorial representation and symbolic meaning.
      Contents of exercises Discussion.
      Literature
      1. 1. Radosav Pušić, Chinese language and its alphabet, Svet reči, Belgrade, 2002, pp. 15-18 2. Radosav Pušić, Image in the heart of Chinese writing, Eternal treasure: memory of Dr. Dejan Razić, Faculty of Philology in Belgrade, Belgrade, 2007, pp. 223 - 241 3. Fenolosa F. Ernest, The Chinese Written Characters as a medium for Poetry, London 1936 4. Dejan Razić, Ceng Xiangwen, Hua Lungyuen, Chinese Language, Department of Textbooks and Teaching Aids, Bgd., 1983
      Number of hours per week during the semester/trimester/year
      Lectures Exercises OTC Study and Research Other classes
      1 1
      Methods of teaching Lectures, exercises, independent work.
      Knowledge score (maximum points 100)
      Pre obligations Points Final exam Points
      Activites during lectures 10 Test paper 60
      Practical lessons Oral examination
      Projects
      Colloquia 30
      Seminars